(then, as the Don drinks from a glass of wine as Michael watches him). We truly appreciate your support. ], [Fabrizio dons his lupara before going in to get Vitelli. << /Length 19 0 R /Type /XObject /Subtype /Image /Width 33 /Height then they would become my enemies. Well, alright then -- I -- then we won't go -- we won't tell your father... You know, we'll just get married first -- and we'll tell'em later... [Music changes to "All Through The Night"], [Kay gives Michael the phone, and he picks up the receiver and the operator. Eh gosh -- imagine the nerve of the sonofabitch. [Gaffe: Waiter fills Tom's wine glass twice, shown in two camera angles]. Rocco is preparing his machine gun. Well he knows how grateful you are. The Godfather Part II Script Resources: The Godfather Part II Script PDF - Second Draft - 9/24/1973 at The Script Savant; The Godfather Part II Script PDF at Script Slug; The Godfather Part II Script - Second draft. We got to protect ourselves -- Give me a chance to recruit some new men. Kay turns her head to watch, them. FADE FROM BLACK: Int. He begins to run toward the car, screaming Fredo! x���;n� `%G�( �$G�o�)��b����*�*r"%4�>-���1c��� And that, I do not, But -- that aside -- let me say that I swear -- on the souls of my grandchildren -- that I will. I thought you weren't going to become a man like your, My father's no different than any other powerful man --. Now help me. Tattaglia lost a son -- and I lost a son. How'd he do that? A man, holding flowers seems to be looking for a room]. Now they have to be in it for, CUT TO: Sonny introducing himself to Sollozzo, shaking hands -day, CUT TO: Back to Don, Sonny and Tom before the meeting -evening. 23 0 obj kick your tongue out, and your credit is good. Huh? Tell him to come to the office.
Three bodyguards are, pitching pennies outside where Sonny's car is parked.
it's a public place -- a bar, a restaurant -- some place where there's people so I feel safe. 323
CUT TO: Revolving door.
with the heads of the Five Families.
Nazorine, the baker, takes a proud bow. We hit Bruno Tattaglia 4, Tom-anuch! Madon', if this was. your questions. They watch as mourners place, single red roses on top. He's still alive. as she and Tattaglia are riddled by bullets while in bed. The Don and Tattaglia embrace as the others applaud], CUT TO: Inside the car where the Don and Tom are sitting in the rear -night, When I meet with the Tattaglia people, should I insist that all his drug middlemen have. ], [In Italian: Stop bothering me with this rich America stuff! Now, if there's nothing else, I'd like to go to my daughter's wedding.
He might be shacked up. They were just asking for big trouble. endobj
We might be able to tape the gun behind it. $�h�8�h
>> Barzini is a man who'll know that without being told.
Yeah, listen, uh... hang around the house on the phone an' be a big help, huh? [the phone rings, Sonny gets up to get it], (then, after hanging up the phone and returning to the table), That's my man in McCluskey's precinct.
someone else's wedding, sfortunato ["Oh, how unlucky I am!"]! After, the car pulls away, we hear the Title Theme music as they walk through the mall. He is known for his crime novels about the Mafia, most notably The Godfather (1969), which he later co-adapted into a three-part film saga directed by Francis Ford Coppola. Too dangerous -- they'd be lookin' for that. #PRDy��-�4�(��>7�l�ʴ��$Q����$��2#e'�2a1��� &c�h�@��f�q�8z��v,����]�FrSrWF�P6�Kْ�T&a�e��� !> One in Italy, one here. So for the last six months he's been working in my pastry shop. Even the old man's political protection would run. Okay, Pop -- I'll have to get it myself, Pop; Paulie called in sick this morning. What are you worried about? Sal -- Tom -- the Boss says he'll come in a separate car.
Lemme think about it -- we'll see.
x���A�� P#,s��Q�(p�%G�e��&��]tf3RXT}*��mL����K�FʌU�(�O�02Ž��4 �"���L^1��[@��NOP�oA�k�^��'2"����-&�D�8>�����Q��P�po�*��@@H�n!=!�?�R�'e�X���Wxm���RڥcA@%��X�K�m�I � Yl�lP�`D�20I�w=!W���+\O�U� W�Q�a`T[�a �b��F I gave her freedom, but -- I taught her never to dishonor her family.
I'm a business man. endobj Neri holds her back until Michael motions it's okay], MICHAEL (taking Connie's arms as she cries), CONNIE (struggling out of Michael's arms), [Neri takes Connie out of the room.
Categories All Articles, Craft, Film, Most Viewed Tags conflict, francis ford coppola, godfather part 2 script, mario puzo, the godfather part 2 Post navigation The Insider Interviews: Colin Vaines Character Reveal: Ricky Baker (Hunt For The Wilderpeople) CUT TO: Sonny pinches Lucy Mancini's cheek as he walks towards his wife, Sandra.
I had the unspoken support of the, other Family Dons. I put a. special tape on the trigger, and the butt. Clemenza, Tessio, Tom, Fredo and Sonny are standing around the bed. -- There's some food in the icebox, you hungry or anything? I was about to come up and wake you just now and tell, TOM (shaking his head, then says quietly).
That...[? [In normal release and Epic: Don Vito pats Tom on the shoulder, gets up, and walks, over to Michael. Priest dips his hand in more oil, signs the cross on the baby's forehead.
Hey Sandra, do me a favor, huh; watch the kids -- don't let'em run wild, all right? -dawn, DISSOLVE TO: close-up of Vito Corleone's face; he nods -evening, (then, as we see Sollozzo entering the Don's office from the street), I have the Sollozzo notes here.
I uh -- I wouldn't even have to act -- just be myself. Of course, I'd like to thank -evening, I'm glad you came, Mike. The other New York Families will go.
You give'em one message: I want Sollozzo -- if not, it's all-out war --. The Don screams Uh!, falls over, the assassins run, and the Don falls to the curb], FREDO (gets out of the car, fumbling with the gun, then sits on the curb crying), CUT TO: Michael and Kay walking outside of Radio City Music Hall, which is showing, Leo McCarey's "The Bells of St. Mary's" which Michael and Kay just saw.
The food is on the table -- it's getting cold. The Tarantella plays.
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