Sydney: Piper Press, 2009.Helmrich, Michele. The series could be taken as an interrogation of the way contemporary Australian national identity and attachment to place is constructed through stories of celebrated explorers, sentimental views of enduring, weathered gums and the ‘protection’ of our borders, while reflecting on those who are excluded from such constructions and attachments. MUMA publications and gifts are available for purchase in the MUMA Shop. Instagram John Howard, election speech, delivered 28 October 2001. Subscribe to MUMA E-News Closed Sun Welcome to Australia, however, takes a more documentary, approach depicting a ‘readymade’ intervention violently imposed on a landscape. No people are apparent in the photograph, the layered grids of fences estranging the viewer from the goings on behind the wire. Spiers completed a Master of Fine Art in 2011 and a PhD in 2018 at the Victorian College of the Arts. A road and a gravelled driveway, sparsely dotted with low shrubs in red dirt, skirt the perimeter, but Laing’s framing means that access into and out of the fenced compound is not visible. Viewed on its own, welcome to Australia is a powerful meditation on how the political theatre of a secure nation is staged. Often working on series of photographs that elaborate on a theme, her work is consistently concerned with interrogating the Australian landscape, and an often-uneasy relation to it. Inspiring audiences on and off campus, it is recognised nationally for showcasing Australian art since the 1960s, diverse media and new artistic practices as they develop. Rosemary Laing is on Facebook. There are many ways you can give to MUMA. This is not an image signifying ‘welcome’, which makes Laing’s title, of course, ironic. Authorised by: Museum Director. Log In. Caterham. Twitter Rosemary Laing is a renowned Australian artist who has worked with photography since the late 1980s. About Rosemary Laing. MUMA presents exhibitions of contemporary art by Australian and international artists. Works of art from the Monash University Collection are found across the University: inside buildings and integrated into the public realm. The so-called ‘unauthorised arrivals’ held at Woomera, the majority of which were ultimately found to be legitimate refugees, were subjected to prolonged, indeterminate and cruel periods of detention until they were granted visas, or deported, under a punitive policy of ‘mandatory detention’. or. The Monash University Collection was established after the University opened in 1961. ROSEMARY LAING Born 1959, Brisbane, Australia Lives and works in Sydney Represented by Tolarno Galleries, Melbourne EDUCATION 1992-96 Master of Fine Arts, Honours Class 1, College of Fine Arts, University of New South Wales 1990-91 Post Graduate Diploma, Sydney … Itis part of a series of photographs titled to walk on a sea of salt 2004, which presents images of the Woomera Detention Centre alongside significant landscapes from Australia’s settler mythology. It is an image of an impenetrable, imposing enclosure that compels authority, control and order on an arid landscape. These are a way of questioning a conflicted sense of belonging to lands taken from Aboriginal people through violent, ongoing processes of colonisation, while at the same time those lands are subjected to the homemaking of successive immigrants. The fence stretches to the edges of the photograph so that its limits cannot be seen. First Languages of the Monash University Collection, 100 Works of the Monash University Collection, Monash University Museum of Art Webmaster Team. Ground Floor, Building F To connect with Rosemary, sign up for Facebook today. MUMA Education engages students and teachers through tailored programs drawing on current exhibitions and the Monash University Collection. Vimeo. Caterham Valley Secondary School. Through the mesh of the carceral barrier another fence and a cluster of demountable buildings can be made out. Access Information, Welcome to Australia 2004type C photograph60 x 122.2 cm Purchased 2005. Legacy data. Monash University 900 Dandenong Road Current City and Hometown. +61 3 9905 4217, Tue–Fri: 10am–5pm Flight Research 1999-2000 Rosemary Laing uses post modernism throughout her works, which is conceptually based, and issues within the environment espically attitudes which is an example of post modernism. The lens appears to have been tilted slightly downwards at the moment of taking the photographs so that the viewer’s eye is automatically guided to the ground. She has a reputation for constructing and photographing unusual interventions into environments; for example, carpeting the floor of a forest (as in groundspeed (Red Piazza) #2, 2001) or arranging mass-produced, Ikea-style furniture in the desert (as in burning Ayer #1, 2003). “Rosemary Laing: a dozen useless actions for grieving blondes.” Flash, no. Australia Trained educators and artists connect students to art in meaningful ways, promoting creative thinking and critical problem-solving skills. We are grateful to our partners and donors who support MUMA to commission new work and programs connecting art and audiences. These additional photographs include images of the vast saltpan of Lake Eyre, which reference explorer Charles Sturt’s failed search for an inland sea, and the bleached gums in the Flinders Ranges, which allude to quintessential Australian pastoral scenes rendered by painter Hans Heysen and photographer Harold Cazneaux in the early half of the 1900s.  The harsh fence characterises a fantasy of sovereign jurisdiction that the Australian nation-state has maintained through violent relations of control and mastery over land and people since the outset of colonisation. MUMA Education engages students and teachers through tailored programs drawing on current exhibitions and the Monash University Collection. Rosemary Laing Gender Female Roles Artist (Painter) Artist ... 1976 - 1979 Dip Art Education, Brisbane CAE, QLD Languages English; Initial Record Data Source. Focusing on curatorial research and commissioning, the program includes significant solo artist projects, thematic responses to current issues and exhibitions that contribute to shaping the recent history of art. Copyright © 2020 Monash University Museum of Art. It is the material manifestation of an Australia that asserts it has the right to ‘decide who comes to this country and the circumstances in which they come’. Rosemary Laing (Australia, 1959) The subjects of the groundspeed series of photographs are luxuriant greenery and woodland offered to the aesthetic contemplation of viewers attracted by the light and colour of nature in all its beauty. prostrate your horses: weather and then some; Rosemary Laing at … Maintained by: Monash University Museum of Art Webmaster Team Last updated: Jan 2020. Does it: It questions the status quo Not normal Promotes audience We acknowledge Aboriginal connection to material and creative practice on these lands for more than 60,000 years. Amy Spiers is Naarm/Melbourne-based artist, writer and researcher. MUMA is a site where contemporary art, art-led education and research are produced and explored. Rosemary Laing has said of the series: … you’ve got the Heysen, you know, trees that you want to belong to, and then you’ve got the endless vista [of Lake Eyre] – though it be a difficult journey across a horizon that never ends – and then you have the raised wire fence [of Woomera], completely closing off access to that land, and that place, and those images of belonging and heritage.. The threatening fence, and the cruel conditions it encloses, is intended to project an image of an Australian nation that effectively managed and controlled its borders to both deter prospective ‘unauthorised arrivals’ and reassure an Australian public anxious about an inundation of such arrivals. 2 (2009).French, Blair, and Daniel Palmer, “Rosemary Laing.” In Twelve Australian Photo Artists. This exhibition includes major works that demonstrate her interest in how Australians have both perceived and moved through the landscape, shifting between dramatic vistas in works such as the leak and one dozen unnatural disasters in the Australian landscape… 2 ROSEMARY LAING Born 1959, Brisbane, Australia Lives and works in Sydney Represented by Tolarno Galleries, Melbourne EDUCATION 1992-96 Master of Fine Arts, Honours Class 1, College of Fine Arts, University of New South Wales MUMA acknowledges the diversity of all children and provides a child safe environment. In a carefully curated campus experience, art is a constant revelation, inspiration and lively provocation to students, staff and visitors. Current city since March 18, … Sign Up. Trained educators and artists connect students to art in meaningful ways, promoting creative thinking and critical problem-solving skills.
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